Saturday, November 21, 2009
Lupita...the spic Negra
Lupita is a black Hispanic from Ecuador and Panama, so dark, she knows it , that make her feel hysterical, she use bleach trying to lighten up her skin ,(it looks exactly like dark poop color), it dont work , people make fun of her , she enraged , she start screaming and running like a fool , she keep telling people that her vagina even very dark is shaved …nobody wants her , shes upset , she hate whites and Asian, cause she looks like a monkey if she is compared to another female, all she wants is that people look at her as a human being , unfortunately she is a subhuman , she act exactly like an ape , shes so funny , she hate to see bleach in the bathroom , cause of the envy she feels to lighten up her skin , shes aware of side effects, she dont care , she want to be seen as normal female , she hate females with natural strait hair , thats make her feel so down , shes deeply injured , inside , she cant change what she is …
she keep saying bad things about normal females , the jealousy kills her ,she know people look down at her , maybe they dont tell her , but she knows , she is a second class female , shes only good for sugar cane plantation , and house keeping , aand to get fucked by some men who have animals fetish.
Wednesday, November 18, 2009
Keisha's ancestors...Roots of the suffring entity.
1619 The first African slaves arrive in Virginia.
It is no secret that slavery ushered in an era that denigrated, exploited and dehumanized black women. They were sold, raped, beaten, brutalized, and stripped of their humanity. While these dynamics are crucial to understanding black women’s exploitation today, the economics of black female sexuality remains most striking.
Only the relatively recent thrust of feminist politics has brought women into the discourse of economic productivity. Typically, the fiscal significance of black women has been woefully overlooked. However, it didn’t escape the profiteering eyes of the slave-owners, who always traded their female property for higher prices than their male counterparts. A female slave represented an ongoing labor supply once her owner could ‘breed’ her. However, when slavery ended capitalism didn’t die with it, and a new market for black female flesh had to be created.
Intrinsically intertwined with economic exploitation of black women is the objectification and denigration of their bodies and sexuality. In the nineteenth century, the sentiments of race commentators such as William Wright and Josiah Nott reigned supreme in the characterization of black women. Wright states, in reference to mixed-race women, “Most of the women are public prostitutes to the Europeans, and private ones to the negroes,” while Nott invites readers to consider, “the African wench, with her black and odorous skin, woolly head and animal features.”
Unable to be quite so openly offensive in the twentieth century, it fell into the hands of the media to perpetuate the image of the degenerate black female as the mammy, the whore and the tragic mulatto. As esteemed film historian, Donald Bogle, notes, these characters have been recreated, transformed and repackaged throughout the history of film.
Familiar images of the sexless, strong black woman and the “ho” are just rehashings of the same old themes of the neutered or sexually deviant black woman, who, as distinguished feminist sociologist Dr. Hill Collins explains in her ground-breaking book “Black Sexual Politics,” can again, be exploited and disrespected. Her body is for sale in music videos and films, and she continues to be devalued and undervalued in the workplace.
Read more: http://racism.suite101.com/article.cfm/black_women_for_sale#ixzzGPJsDTd